G E A R

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​CAMERA:

-Canon C500 mkII up to 6K, Full Frame, 12-bit RAW (PL-mount)
[                     approved camera]

LENZEN:
-SIGMA Cine Zoom 18-35 (s35) T2 PL-mount 
-SIGMA Cine Zoom 50-100 (s35) T2 PL-mount
-TOKINA Cine Zoom 11-20 (s35) T2.9 PL-mount

-DZOFilm Vespid Primes (FF) T2.1 PL-mount  (25,35,50,90macro)
-DZOFilm Pictor Cine Zoom 20-55mm (s35) T2.8 PL-mount
-DZOFilm Pictor Cine Zoom 50-125mm (s35) T2.8 PL-mount

-Samyang Primes (FF) T1.5 EF-mount (14,24,35,50,85,135)

GRIP:
-STEADICAM AXIS VOLT (camera payload < 9kg)
-DJI RONIN 2 + remote head control + Force Pro ("mimic" for Ronin 2) 
-Ready Rig
-Easyrig Vario 5 Stabil
-Sachtler V18 Fluid Head (100 mm) with Sachtler tripod (long legs)
-Cam Gear Elite 18 Fluid Head (100 mm)
-Polaris Slider Dolly with 1 and 2 meter track (100mm bowl)
  with apple boxes and slider stands
















 

 

 

VIDEO:

-Vaxis Storm 1000 video transmitter/receiver kit [up to 3x RX (receiver) available]

-16 inch Directors Monitor
-7 inch Monitor Hi-Brite 2000 NITS
-5 inch Monitor Hi-Brite 2200 NITS

 

SUPPORT:

-3x Headset Communication
-Adicam Magliner
-Ergorig + Undersling
-Cinesaddle
-Remote Focus Set
 

 

 

 

LIGHTING:

 

(my lighting kit is sufficient for smaller productions, interviews and the like.
For bigger size projects I like to recommend a list of preferred gaffers) 

-4x 2ftx2ft Litecloth softbox + grid (2x Full RGBW 2x Bi-Color)
-1x Arri 300W fresnel 3200K

-6x Arri 650W fresnel 3200K + 2x softbox

-1x Arri 800W 3200K + Chimera softbox 

-1x "6-by" Grid Cloth 
-Stands, few flags, bounce boards and diffusion.

 

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