G E A R

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CAMERA:

 

-Canon C500 mkII up to 6K, Full Frame, 12-bit RAW (PL-mount) [                     approved camera]
-Still available: Sony FS7 4K XAVC 10-bit (E-mount or EF-mount with Speed Booster)
 

LENZEN:

-DZOFilm Vespid Primes (FF) T2.1 PL-mount  (25,35,50,90macro)
-SIGMA Cine Zoom 18-35 (s35) T2 PL-mount 
-SIGMA Cine Zoom 50-100 (s35) T2 PL-mount
-DZOFilm Pictor Cine Zoom 20-55mm (s35) T2.8 PL-mount
-DZOFilm Pictor Cine Zoom 50-125mm (s35) T2.8 PL-mount

-Samyang Primes (FF) T1.5 EF-mount (14,24,35,50,85,135)


GRIP:

-Sachtler V18 tripod (100 mm)
-Polaris Slider Dolly with 1 and 2 meter track (100mm and 150mm bowl)



















VIDEO:

-Vaxis Storm 1000 video transmitter/receiver kit [up to 3x RX (receiver) available]

-16 inch Directors Monitor
-7 inch Monitor Hi-Brite 2000 NITS
-5 inch Monitor Hi-Brite 2200 NITS

 

SUPPORT:

-3x Headset Communication
-Adicam Magliner
-Easyrig Vario 5 Stabil
-Ergorig + Undersling
-Cinesaddle
-Remote Focus Set
 

 

 

LIGHTING:

 

(my lighting kit is sufficient for smaller productions, interviews and the like.
For bigger size projects I like to recommend a list of preferred gaffers) 

-4x 2ftx2ft Litecloth softbox + grid (2x Full RGBW 2x Bi-Color)
-1x Arri 300W fresnel 3200K

-2x Arri 650W fresnel 3200K

-1x Arri 800W open face with Chimera softbox 3200K

-1x LED panel 1x1ft

-1x Ringlight 1,5x1,5ft 5600K Fluorescent on stand

-3x Softlight panel 5600K Fluorescent
-1x "6-by" Grid Cloth 

 

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