G E A R

​

​

C A M E R A :

 

-Canon C500 mkII up to 6K, Full Frame, 12-bit RAW (PL-mount) [                      approved camera]

-Sony FS7 4K camera (PL-mount, EF-mount and E-mount) [                     approved camera]

​

-Sachtler V18 tripod
-Polaris Slider Dolly with 1 and 2 meter track (100mm and 150mm bowl)

-DZOFilm Vespid Primes (FF) T2.1 PL-mount  (25,35,50,90macro)
-SIGMA Cine Zoom 18-35 (s35) T2 PL-mount 
-SIGMA Cine Zoom 50-100 (s35) T2 PL-mount
-DZOFilm Pictor Cine Zoom 20-55mm (s35) T2.8 PL-mount
-DZOFilm Pictor Cine Zoom 50-125mm (s35) T2.8 PL-mount

-Samyang Primes (FF) T1.5 EF-mount (14,24,35,50,85,135)






















V I D E O :

-Vaxis Storm 1000 video transmitter/receiver kit [up to 3x RX (receiver) available]

-16 inch Directors Monitor
-7 inch Monitor Hi-Brite 2000 NITS
-5 inch Monitor Hi-Brite 2200 NITS

 

S U P P O R T :

-3x Headset Communication
-Adicam Magliner
-Easyrig Vario 5 Stabil
-Ergorig + Undersling
-Cinesaddle
 

 

 

L I G H T I N G :

 

-4x 2ftx2ft Litecloth softbox + grid (2x Full RGBW 2x Bi-Color)
-1x Arri 300W fresnel 3200K

-2x Arri 650W fresnel 3200K

-1x Arri 800W open face with Chimera softbox 3200K

-1x LED panel 1x1ft

-1x Ringlight 1,5x1,5ft 5600K Fluorescent on stand

-3x Softlight panel 5600K Fluorescent
-1x 1.80x1.80m Grid Cloth 

 

A U D I O :

 

(I always recommend using a sound recordist when a production needs audio recording)

-Rode NTG-2  mic. 

-Sennheiser SK 100 G3 audio transmitter and receiver